I've always found the story of Dorian Gray to be interesting. A guy gets a painting that is so perfect that it actually takes all of his wounds or deformities or diseases upon itself, keeping him young and perfect. The story is a deeper look into a man's soul, when that man has no fear of consequences.
Despite it's two-star rating, I decided to give it a whirl. Netflix fan ratings are surprisingly close to my own ratings, to such an extent that I said to my wife, "Let's see why this is two-stars." I knew it was going to be disappointing.
But sometimes the point system is wrong. And for a brief time, the movie opened slowly, like a giant clam with a fistful of meat as a reward for patience. The setup was slow but building. The movie took time to introduce its characters and have them illustrate their philosophies of life.
Then the philosophical portion of the movie ended. The end of the movie became separated from the roots planted at the beginning. Dorian Gray started living his life of debauchery, and the movie strove to show us every painstaking moment (and bare breast) of his decline. After awhile, it was easy to understand the two-star ranking. Yes, Hollywood, we get it, now stop glamorizing his soulless lifestyle. Unfortunately, the story built around philosophical poniards had its plot wander away into gratuitous booby display. Then it went a tiny bit homosexual for a few seconds.
T
hen the end sort of came, but with no plot. The teacher of the bad philosophy that Dorian lived by has a daughter who becomes Dorian's target, the final conquest of this evil man. Okay, sounds good, but the war of philosophy was lacking. The secret of the painting was revealed too late in the movie to do the philosophical conflict any good. Then for some inexplicable reason, the soulless Gray has a change of heart and has to stab his painting that is on fire. Perhaps he despaired of life. We were never told why.Then the movie ended. Creepily.
Sigh.
Hollywood, please do better. In your quest to make money, please try following deep philosophical arguments through to the end. You'll be surprised at the result, especially if the characters receive logical consequences for their actions. We're watching you, Hollywood. We know when you indulge in the visual debauchery without advancing the character-erosion plotline. Please try not to limit your audience by showing so much filth. We understand enough. The war of philosophies needed more illustration on both sides, and you did not succeed in showing that part.
Edit: Curious, I reread the story. I guess he really does stab the painting and die in the process, and the painting reverts back to the original, untarnished image. The movie doesn't go into the reasons why. Is it a heroic act to save his friends? Is it a selfish act to end his life?

